The imperial court in Constantinople has been central to the outsider’s vision of Byzantium. However, in spite of its fame in literature and scholarship, there have been few attempts to analyze the Byzantine court in its entirety as a phenomenon. The studies in this volume aim to provide a unified composition by presenting Byzantine courtly life in all its interconnected facets.
One important theme that unites these studies is the attention paid to describing the effects of a change in the social makeup of the court during this period and the reflection of these changes in art and architecture. These changes in social composition, mentality, and material culture of the court demonstrate that, as in so many other aspects of Byzantine civilization, the image of permanence and immutability projected by the forms of palace life was more apparent than real. As this new work shows, behind the golden facade of ceremony, rhetoric, and art, there was constant development and renewal.
This collection of essays reveals the Ming court as an arena of competition and negotiation, where a large cast of actors pursued individual and corporate ends, personal agency shaped protocol and style, and diverse people, goods, and tastes converged. Rather than observing an immutable set of traditions, court culture underwent frequent reinterpretation and rearticulation, processes driven by immediate personal imperatives, mediated through social, political, and cultural interaction.
The essays address several common themes. First, they rethink previous notions of imperial isolation, instead stressing the court’s myriad ties both to local Beijing society and to the empire as a whole. Second, the court was far from monolithic or static. Palace women, monks, craftsmen, educators, moralists, warriors, eunuchs, foreign envoys, and others strove to advance their interests and forge advantageous relations with the emperor and one another. Finally, these case studies illustrate the importance of individual agency. The founder’s legacy may have formed the warp of court practices and tastes, but the weft varied considerably. Reflecting the complexity of the court, the essays represent a variety of perspectives and disciplines—from intellectual, cultural, military, and political to art history and musicology.
An institution in decline, possessing little power in an age dominated by warriors? Or a still-potent symbol of social and political legitimacy? Emperor and Aristocracy in Japan traces the fate of the imperial Japanese court from its lowest point during the turbulent, century-long sengoku, when the old society, built upon the strength and influence of the court, the priesthood, and a narrow warrior elite, was shaken to its foundations, to the Tokugawa era, when court culture displayed renewed vitality, and tea gatherings, flower arranging, and architecture flourished.
In determining how the court managed to persist and survive, Butler looks into contemporary documents, diaries, and letters to reveal the court's internal politics and protocols, hierarchies, finances, and ceremonial observances. Emperor and courtiers adjusted to the prominence of the warrior elite, even as they held on to the ideological advantages bestowed by birth, tradition, and culture. To this historical precedent the new wielders of power paid dutiful homage, ever mindful that ranks and titles, as well as the political blessing of the emperor, were advantageous marks of distinction.
At its height in the sixteenth and seventeenth centuries, the Mughal Empire was one of the largest empires in Eurasia, with territory extending over most of the Indian subcontinent and much of present-day Afghanistan. As part of the Persianate world that spanned from the Bosphorus to the Bay of Bengal, Mughal rulers were legendary connoisseurs of the arts. Their patronage attracted poets, artists, and scholars from all parts of the eastern Islamic world. Persian was the language of the court, and poets from Safavid Iran played a significant role in the cultural life of the nobility. Mughal Arcadia explores the rise and decline of Persian court poetry in India and the invention of an enduring idea—found in poetry, prose, paintings, and architecture—of a literary paradise, a Persian garden located outside Iran, which was perfectly exemplified by the valley of Kashmir.
Poets and artists from Iran moved freely throughout the Mughal empire and encountered a variety of cultures and landscapes that inspired aesthetic experiments which continue to inspire the visual arts, poetry, films, and music in contemporary South Asia. Sunil Sharma takes readers on a dazzling literary journey over a vast geographic terrain and across two centuries, from the accession of the first emperor, Babur, to the throne of Hindustan to the reign of the sixth great Mughal, Aurangzeb, in order to illuminate the life of Persian poetry in India. Along the way, we are offered a rare glimpse into the social and cultural life of the Mughals.
Weddings in fifteenth-century Italian courts were grand, sumptuous affairs that often required guests to listen attentively to lengthy orations given in Latin. In this book, Anthony D'Elia shows how Italian humanists used these orations to support claims of legitimacy and assertions of superiority among families jockeying for power, as well as to advocate for marriage and sexual pleasure.
Humanists stressed the value of marriage in practical terms as a means for consolidating wealth, forming political alliances, and maintaining power by providing heirs. They also presented women in a positive light, as helpmates and even examples of wisdom and learning. While D'Elia focuses on Italian courts, he also examines ideas about marriage and celibacy from Antiquity to Republican Florence and Reformation Germany, revealing the continuities and distinctions between Italian humanist and Protestant thought on marriage.
In bringing to life this fascinating elite culture, D'Elia makes a valuable contribution to the history of the Renaissance, women, and the family, and to studies of rhetoric and the classical tradition.
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